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Monitor (or System)
Calibration with Adobe Gamma
The below
calibration procedure will accurately calibrate the system gamma of any
CRT monitor as well as the whitepoint and the gray balance.
Note that
the Windows NT operating system does not allow the Adobe Gamma to
write to the look-up-table (LUT) in the display driver card. This
is not a problem of Win95 and Win98 operating systems however some
very old display driver cards do not have the writable LUT so in this
case also the Adobe Gamma can not calibrate the monitor. Finally some
old versions of display driver software are incompatible with
AdobeGamma (updating to the latest version will recover from this).
If you do
not see the "Desired Gamma" input box in Adobe Gamma utility
then you have some of the above problem.
General, what
does the AdobeGamma do and how does it affect to the system
AdobeGamma partly
gathers information about the monitor and partly affects to the color
appearance that is shown on the monitor and writes the monitor profile
(a.k.a system profile or device profile) for the CRT monitor that characterizes
that condition.
The Brightness
and Contrast calibration patch
This CGI patch
is meant for calibrating the blackpoint of the monitor using the
Brightness control knob on the monitor device. However the patches
have an error and this method is not at all accurate for blackpoint
calibration. Very accurate method for calibrating the blackpoint
is explained below in step 4.
The Selection
of Phosphors
Here AdobeGamma
asks what is the phosphor-set that the monitor hardware has. It
only writes this info into the profile (to be used by Photoshop
and other color managed software), AdobeGamma does not simulate
or emulate another color-space on the monitor.
Gamma Patches/Sliders
and the Desired Gamma Input Box
Photoshop shows
either the gray gamma calibration patch or the red, green and blue
gamma calibration patches with the associated sliders. In addition
it shows the Desired Gamma input box.
This section
will affect to the colors show on the monitor and to the gray balance
so that the system will have the transfer-function that is specified
in the desired gamma input box after the gamma match is properly
adjusted using the sliders. AdobeGamma affects to the display colors
by changing the look up table conversion ramp in the display driver
card.
Note that Macintosh
Default in reality is 1.72 and Windows default in reality is 2.50.
The gamma calibrations patches are rather limited, far more comprehensive
gamma charts are provided below in step 3.
The Whitepoint
Hardware
-dropdown: Here AdobeGamma asks what is the actual whitepoint
of the monitor hardware. This hardware whitepoint has to be either
accurately adjusted using the controls that the monitor hardware
provides or it has to be measured.
Adjusted
-dropdown: With this dropdown AdobeGamma changes the whitepoint
of the system, it does this by calculating the required change into
the look up tables in the display driver card. This option is using
the hardware whitepoint information as the base for calculation
so any error in hardware whitepoint is reflected to this.
The Adjusted
-dropdown can change the displayed whitepoint of a monitor that
has been accurately set by hardware. After you have calibrated the
whitepoint accurately to 6500K I strongly recommend that you experiment
with this option, open the AdobeGamma and change the Adjusted -dropdown
from "Same as Hardware" to 5000K.... pretty ugly isn't
it. Then just press Cancel to AdobeGamma.
The Measure...
-button
Behind the
measure -button is a very coarse method of "measuring"
the monitor whitepoint, it truly is very coarse, do not use it.
In step 2 below a very accurate whitepoint calibration method
is explained.
The Calibration
Procedure
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Step
1: |
Allow the Monitor to Stabilize
Set up the normal room lighting
that you will be working with. Make it rather dim and eliminate
glare as much as is possible (set the lighting so that the monitor
screen is not directly exposed to the lighting).
Let the monitor to stabilize
for at least 1 hour, this is very important !
Verify that your display
driver card is set to 24-bit color (or true-color or 32-bit) mode.
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Step
2: |
Set the Color-Temperature
The scale of
the color temperature control of CRT monitors as well as the built-in
presets are most often not accurate at all. To accurately set
the monitor to daylight color temperature (6500K or D65) do the
following:
At noon 11:00 am... 2:00pm, (not in the morning and not in the
evening but at noon) on a sunny day, position the monitor in
front of a window so that you can see both the monitor and the outside
real-world. Turn
off all interior lighting.
In adobe Gamma utility:
- verify
that Color Temperature/Hardware is set to D6500.
- verify
that Color Temperature/Adjusted is set to "Same as Hardware".
Now on the
monitor show a large (about 4x4 inch or 10x10cm) pure white (RGB=255,255,255)
square area in the center of the screen on pure black background.
It is
absolutely mandatory that there is nothing else on the screen
but the pure white square RGB=255,255,255 in the center and the
remaining screen area at pure black RGB=0,0,0.
Now do the
following:
- view the
outside real-world daylight scene for a minute or two in order
to adapt your vision to the true daylight and only after that:
- take a
quick look, no longer than 3 seconds, at the monitor white. If
it appears to have a color-cast adjust the color temperature control(s)
of your monitor. These is only a couple of second until the vision
starts to adapt to the monitor white so be quick.
- Repeat 1
and 2 until the monitor white does not appear to have a cast.
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Step 3: |
Choose the
system gamma space
Choose the
desired system gamma space. This decision mainly affects to how
the uncalibrated world (like the Web, non color-managed software
etc.) appears on your ICC color-managed system. It also affects
to how the Widows color-scheme appears, this can be adjusted in
DisplayProperties.
How to
choose the system gamma space:
- Gamma space
1.72 is the gamma space of uncalibrated Mac systems.
- Gamma space
2.50 is the gamma space of uncalibrated PC systems.
- Using gamma
space 1.00 as the system space has the benefit of avoiding the
slope-limiting issue in the on-the-fly display conversion in Photoshop
but the drawback is that the range of the CRT is not being utilized
the best possible way (and the Web appears very incorrectly in
the browsers).
With well
behaving ICC color-managed workflow such as the Photoshop 6.0.x
combined with AdobeGamma provides (less the slope-limiting issues)
there are no technical or any other reasons to calibrate the
monitor to any other space than to close to the native characteristic
of the CRT monitor that is gamma 2.5. This gives the additional
benefit that the system is then in same gamma space as the vast
majority of the systems on the Web are.
In case
you calibrate to gamma 2.5 do use the new Color
Dither Gamma Calibration Target.
Else choose
the gamma calibration chart of your choice below and show it in
your browser or better, have your browser to set the gamma chart
as the background image of your desktop by right-clicking the
displayed image and then selecting the "Set as Background"
from the pop-up menu.
Larger monitor
calibration charts:
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Step
4: |
Please
now read the page adjust
the Brightness and Contrast controls of the Monitor (open
in a new browser window) and perform the blackpoint calibration that
is explained there. This is very important step as it establishes
the correct blackpoint, accuracy depends heavily on the correct blackpoint.
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Step 5: |
Start the Adobe
Gamma utility from the Control Panel, in wizard mode.
If the file name of the profile
that Adobe Gamma has found is "Adobe Monitor Settings.icm" then press
Next button and go to step 4, else:
Make a note of
the name of the profile, cancel the Adobe Gamma, then using the
Windows Explorer go to c:/windows/system/color and remove (cut and
paste elsewhere) that profile. This will discard the ready
made profile, ready made profiles are not accurate.
Repeat the above until Adobe
Gamma says "Adobe Monitor Settings" in the Profile box.
Press Next.
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Step 6: |
This is where
the blackpoint of the monitor (Brightness and Contrast) was meant
to be set by Adobe. However the
blackpoint calibration sections in Adobe Gamma
are incorrect, do not use them.
Black-point was already accurately
calibrated in step 4 so press next. |
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Step 7: |
Here the Phosphors info
are set. In case you know the Phosphor chromaticity values of your
monitor enter them by selecting "custom" from the Phosphors dropdown
list box. If you do not have these values then select Phosphors:
Trinitron. CRT monitors either have Phosphor-set that has
the name "Trinitron" or another set that has the name
"P22" (or "EBU"). They are very close to each
other, Trinitron will match the monitor well in both cases.
To
query the chromaticities from the monitor download
the free DDCtest utility, kindly provided by EnTech Taiwan,
it is 137kB only and needs no installation, just download it to
a suitable directly and then run (double-click it) from there. Note
that the gamma and whitepoint information in the monitors EDID are
usually way incorrect, rgb x,y chromaticities are most often correct,
they should give you more accuraty in Photoshop. If you do this
please e-mail me
the following information:
Model: (from
the monitor, the rest below from DDCtest utility)
Mfgr:
ModelID:
gamma:
red x:
red y:
green x:
green y:
blue x:
blue y:
white x:
white y:
Thank you for you support!
Please note that the phosphor-set
that has the name "Trinitron" has nothing to do with one
of the shadow mask technology that also has the name "Trinitron".
Press
Next.
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Step 8: |
Now you are about to calibrate
the gamma, have the downloaded monitor calibration chart visible.
Set the "desired gamma" value
in Adobe Gamma utility to the gamma space you have chosen in step
3.
Check the view single gamma
only check box (if it was not selected already).
Now use the gray slider to
get a as good gamma match as possible all over the chart, please
remember that the gamma swatches must be viewed at such distance
that the dithering is fully averaged by the eye, this is
about 1 to 2 meters away (3 to 6 feet). To start with, make large
changes to gray slider in order to familiarize how it affects to
the gamma chart, then with small movements try to match the gray
gamma as accurately as possible.
The monitor
can possibly have imbalance between the gammas of the red, green
and blue guns, the gamma chart will show this very easily. Next
you will be correcting this gray balance. Un-check the "view single
gamma only" check-box.
To start with, make a large
changes to the red slider in order to familiarize how it affects
to the gamma chart. In addition to an overall gamma change you will
notice hue change in both the continuous tone portion and dithered
portions of the swatches in the gamma chart.
Now use the red slider to
balance, as much as is possible, the reddish tint between the continuous
tone portions and in the dithered portions of all the gray swatches.
Your vision is by now adapted rather interestingly but it does not
matter at all, just balance, as much as is possible, the reddish
tint between the continuous tone portions and in the dithered portions
of all the gray swatches. Do not try to make the chart "gray"
using the red slider, instead try to balance the reddish
tint between the continuous tone portions and in the dithered portions
of all the gray swatches.
Now use the blue slider to
balance as much as possible the bluish tint between the continuous
tone portions and in the dithered portions of all the gray swatches.
Again: your
vision is by now adapted even more interestingly but it does not
matter at all, just balance, as much as is possible, the bluish
tint between the continuous tone portions and in the dithered portions
of all the gray swatches. Do not try to make the chart "gray"
using the blue slider, instead try to balance the
bluish tint between the continuous tone portions and in the dithered
portions of all the gray swatches.
Repeat both the red slider
and blue slider adjustments until there is no color difference between
the continuous tone portions and in the dithered portions of all
the gray swatches.
And then, it is possible
that the gamma match is not good anymore (or anyhow). If
you determine that the chart now has green difference between the
continuous tone portions and in the dithered portions or
that the overall gamma is still incorrect then increase/decrease
the green slider a little. This will offset all the color
balance so you need to repeat the red-slider, blue-slider then again
red-slider and again blue-slider adjustment as described above.
Adjust &
evaluate until accurate. It
is somewhat tedious but well worth of the effort.
Press Next.
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Step 9: |
Leave the Hardware
White Point at 6500K (Daylight).
Press Next. |
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Step 10: |
Leave the Adjusted
White Point at "Same as Hardware". Press Next. |
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Step 11: |
Verify that the
file name of the profile is: "Adobe Monitor Settings.icm". Press Finish
and then Save buttons. The monitor calibration is now completed. |
System calibration
with AdobeGamma is now complete. If you make the downloaded Monitor Calibration
Chart as the background image of your desktop it will tell you very easily
when it is time to recalibrate.
Continue
to Photoshop v 6.0 calibration
Accurate Image Manipulation for Desktop Publishing
Copyright
Timo Autiokari, 2000-2007. Contact info
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